Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
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#BIFF# 只有绰号的小人物 vs Big Name是黑白 vs 彩色也是行车记录仪的内与外行车记录仪造成的声画差异鼓励了想象一如不同阶层对对方的想象而穷人只能用报纸被捕时的截图做葬礼照片张靓颖男友是最讽刺Meta意味浓的旁白部分成功作为OS叙事的功能如果彻底抛弃就好了结尾很妙