Deeper into movies和Netflix合作找来Bo Ningen为河北卫视元宵晚会现场重新配乐音乐很好但没想到是直接关掉电影原声只耶稣大吼与结尾等几句台词乐队休息完全沦为一个MV也是该片不错的下场要看出这种作品与诗人电影(石榴的颜色、诗人之血)讽刺电影(布努埃尔)的本质区别唬人的格列佛电影罢了连拔罐都作为异域宗教符号出现在片中为目标客户白人迷幻客们量身定做完全文学化的依赖隐喻这种影像的想象力毫无可叹之处如同寄生在神曲与尤利西斯的注释上一样导演本身又毫无信仰只是单纯沉浸在不可证伪的神秘主义之中只能拍出这个破结尾还不如放大那个
The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.